Right now we’re doing a lot of work writing and recording demos for a new record, but in the 2016 we’ll be back with a lot more shows around Philly, as well as a summer tour. Here are the first two shows that we booked. Click the flyers for the FB events.
I don’t know how many years ago, J and I saw Eagles Of Death Metal at the Chameleon Club in Lancaster. I have never been to another show where everyone was as happy to be there as that one, and I’ve never seen a band revel in the joy of it all so fully. I’ve thought, more than a few times, that nights like those are the reason that being a person is worth all the trouble. I know it’s a cliche, cloying thing to say, but feeling that connected to so many strangers is something truly special. I just wish the audience in Paris tonight got to have the same experience.
About a year and a half ago, right after Jeff started rehearsing with the band, J and I spent a weekend in the studio with our friends in Kim Jong Ill. We helped them finish a track called, “My Touch,” a dance-y banger of an electro-pop tune that was slated for their upcoming album, The Get Down. They brought the Depheche Mode beats and synths, and we brought the guitars and a couple layers of vocals. The Get Down just dropped this week, so follow the link below to their bandcamp where you can hear the track!
“My Touch” (featuring Revolution, I Love You) on Bandcamp
The Get Down is also available on iTunes, Spotify, and pretty much everywhere else on the internet, so go ahead and download it from wherever you like to get your tunes.
Songwriting continues for our own new record and we’re starting to make serious plans now for our summer 2016 tour, so email me at firstname.lastname@example.org if you’d like us to plan a show in your city.
Do you want to hear some new tunes? Do you want one last fling at the beach? Do you want to flee the pope-ocalypse? Then come hang at the Dewey Beach Music Conference with us.
The ten year anniversary of Gorillaz’ Demon Days album is today! This album was incredibly important for us as musicians, so we decided to put together a cover of “Dare” as a tribute. Also, J put together a really cool video for the track. It is essentially the ’60s cult horror film The Brain That Wouldn’t Die reimagined as a four minute silent movie.
We got some absolutely incredible news this week: two of our recordings will be preserved until the end of time. Or, at the very least, for as long as there is a United Kingdom.
Back in 2012, we were invited to contribute “Graceful Steps” to The State of Music, a project by a small UK record label called Choose My Music Records. The purpose of The State of Music was to “discover, interview and release music by one unsigned or indie label band from all 50 US states.” We were excited to represent Pennsylvania, as well as to find out that our friends in New Sweden would represent Delaware (where Jason and I grew up). The State of Music project collected some great music and garnered the attention of BBC Radio and The Guardian, before coming to a close in 2013.
Earlier this week, the founder of Choose My Music, Dom Paczko, received an email from the British Library Sound Archive. The British Library, the largest in the world, is the national library of the United Kingdom and charged with “preserving the national memory” of the UK. Its sound archive includes oral histories, plays, performances of the classical masters, wildlife sounds, urban soundscapes, and popular music. The music collection is mostly British, but it also includes select international recordings. A representative from the archive praised Dom for his “great and interesting” music selections and told him that the British Library would like to archive all of Choose My Music’s releases. This includes “Graceful Steps,” our contribution to The State of Music, as well as “Cotton Shirts,” which Choose My Music released for us in 2012.
This is an incredible honor and we’re still having a little trouble wrapping our heads around it. Needless to say, my grandmom (who grew up in Malvern, England) was pretty excited. She told me, “You know, it’s always nice to have something to brag about to the other ladies.” Oh grandmom.
We just found out that “The Atlantic Ocean” is a finalist in the International Songwriting Competition! Out of over 18,000 entries, we made it to the TOP 200. We are so pumped, you have no idea. The winners are chosen by a panel of top-notch songwriting judges, but there is a separate People’s Voice award and you can help us win by clicking the voting button below and voting for “The Atlantic Ocean.”
Between this and our WSTW Hometown Heroes Homey Award, this has been a good year for this tune.
What should have been a two hour drive home yesterday might have become an eight hour, blizzard-y ordeal, but this totally made up for the brutal cold and snowy roadways. Thank you Noisetrade for possibly the kindest review We Choose to Go to the Moon has ever received:
“There’s a good chance that this stunning debut record from Revolution, I Love You is exactly what’s been missing in your life…As gritty guitars blend with hip-hop loops and slick bass lines dance with synthesizers, each song breathes a fresh breath of creativity and confidence.”
What makes this even more special for us is the fact that this album was released three and a half years ago. I don’t know what brought it to their attention, but HELL YES I’m all for it. There’s nothing like a fresh boost of confidence to motivate us as we get back to songwriting for our sophomore full-length album, Black Feathers.
Anyway, you can read what Noisetrade has to say HERE.
Stay warm everybody!